I’m building my house, and now my home studio recording room. I’ve been fortunate enough to have a good amount of gear to choose from, and this video definitely solidifies the fact that it’s not as needed as previously thought haha. Love the drum sound! Graham, Between you and Joe Gilder I am hitting the reset button on my approach to studio recording. I was wondering how you managed to get the chorus vocals to sound the way they do? In reality the biggest challenge was having to mix entirely on headphones. God bless you. Also…this is a great tutorial in how to fundamentally stick to the project tempo which in turn helps keep everything nice and tight. Symphony orchestras, jazz bands, country groups, and anybody who wanted to get their songs on tape would use a single microphone to record. would look forward to a review on the same if you or any other users have experience with it. Hear so many songs on youtube that have been produced in a way I cannot figure out, they are clean and crisp. Recording Vocals Now it was time to record vocals. Great mantra. Twelve seems plenty to me for my simple stuff, but was curious whether bouncing would be useful when 12 was not enough. manufactured by the Shure Brothers and is widely used for. Graham, yet again you astound me with your talents and drive Where can I find your music? Thanks brother! I’m a big fan of limitations, because you have to really focus on the music and not what you technically can do. What Kind of Impact Does Our Music Really Make on Society? Best Field Recorder: Zoom H4N. I was reading your setup and thinking the exact same thing: monitors and a mic like a 57 would be great addition. One Vocal Mic + Mid-Side Pair on Guitar. I also brought in a reference track to see how my mix compared on my headphones and through the Avid Fast Track’s converters. I’m wondering if you can get a nice similar sound for a full band playing live, all together . Very much to learn! Graham, my writing partner turned me on to your site. I second Alex, a mixing tutorial and dry tracks would be great. This 6 minutes video is the most practical home studio demo that I’ve seen. Here is what will happen if you attempt to record the entire band live:First, you need sufficient number of microphones and cables. People tell me I am a good singer, but my recordings sound terrible,why is this? Joe is awesome. this is a killer Recording session! From there, navigate back to the GarageBand screen and press the Smart Controls button (or just hit the B key.) Blue Microphone’s “Pro Drum Kit Kit” is a three-piece suit, tailored with two cardioid-condenser Dragonflys and one large-diaphragm-condenser Mouse to capture phenomenally realistic reproductions of all elements of the kit, from the sparkling highs and warm mids to the thumping lows and sharp attack normally delegated to a kick mike. This is also the time to check for tripping hazards, tuck cords away, and remove extraneous sound sources from the area – vibrating phones in pockets, jingling wallet chains, or crunchy leather jackets. Using a large room is preferred for this sort of project, like a... 3. John recorded an entire band with one stereo microphone, the AEA R88. I was waiting for the the 5 way split screen, 4 Grahams and 1 centered Speedy. And what you have done here proves that again. Sometimes one inch makes a huge difference.Place yourself around the source and be creative about how to achieve the fullest sound. How can people still doubt recording great tracks with cheap gear like this is possible? I got stuff done because I wasn’t letting myself get bogged down with the details of recording, I was focused on writing music. My current setup consists of a Macbook Pro, M Audio Fast Track with 2 inputs (most often used to record guitar line-in), Sennheiser HD 280 Pro headphones, a USB mic that I got with Guitar Hero World Tour (not sure if there’s another name for it…no mic stand though), a couple of amps, a couple of effects pedals, and a few DAWs incuding Reaper and ProTools SE, but mostly I just stick to GarageBand for whatever reason. There was a video he uploaded recently–either that or he sent it to the newletter subscribers recently–where he talks about recording gang vocals and uses the chorus part of this song as an example. I love the included 1176 copy compressor as well. The iconic software supporting ZM-1 one-mic band recording process gained a lot of new features and became even more user friendly. Graham, I was so pleased to watch and listen such a great work! I didn’t need to do any (I don’t remember) bouncing down. Thanks for the video! Thought this was an interesting video. The track sounds well produced and generally an awesome tune! And with that step, you should … One Microphone I did use the -10db pad on the Behringer B1. I thought for a second you were gonna go all Motown on us and literally record the whole band with one mic at the same time. With a more upfront style ( like thrice for example, not too over the top) maybe there would be a lot of committing and mixing choices to do, but that’s just another thing hehe. I have a zoom r16 , a mxl ribbon mic, audacity, blackstar ht 5 mini stack , MacBook, m audio bxa5 monitors, 4 guitars including a ESP mf100 which is my main player, Washburn bass and of course my redicoulous drumset…. Recording a Band with One Mic. The two main things are that Graham is insanely good at recording, and that his instruments sound great. Zylia, an industry leader in the field of 3D audio recording and production released today the new version of ZYLIA Studio. Check out the next video I did: http://therecordingrevolution.com/2013/05/29/mixing-in-pro-tools-express-video/, All I can say is Wow!!! Different instrumentation – but definitely that retro vibe. I have Cubase 7, KRK ROKIT 6 G2, Digi 002 rack, Focusrite Sarlett 2i2 and AKG C 414 TL II. Yes I know a 441 sounds cool on guitars but I don’t think it’s worth the money for hobbyists like myself Field recorders are great for compact mobile recording, built in … instrumentation. Just today in the morning I was thinking about recording a song with one mic. Reminds me of how I started out in the 90’s with a 1″, 16 track tape machine, one Behringer compressor and a pretty crappy live mixer. Very inspiring video! Nice! Need to come back to keeping things simple. Thanks mate, I’d figured… and I’ll follow your advice . My current rig is similar to the one here, so this makes me feel more confident in my gear and more inspired to improve my recording/mixing skills. It was a lot of work, but the feel we captured in those recordings—of live musicians playing in a relaxed, familiar environment—was unmistakably amazing. I'm going to call the album the name of whatever mic we use. It really encouraged me^ I’m going to take this challendge! I would start where I had the mic in the video and then try in front of the kit as well. Thank you Graham! Or maybe upload the original dry tracks so that we can try to mix it ourselves. I love the way u Glorify my Father keep it up. What an awesome video and I’m so pleased to know what you stand for. We tried having him listen to a track over the headphones, but he says the volume just isn’t there and can’t follow along very well with headphones. One of the best studio “investments” you can make is new guitar strings (and drum heads at that). Glad I spotted this in a recent Joe Gilder post. Don’t add any more sonic artifacts than you have to. Work through all of your songs before anyone knows you’re recording. Great video. Even though you’re recording guitar, click the microphone icon to open an empty audio track, … Good stuff. WOW! I’ll go over the different miking techniques below and the best context for each. Did you consider bouncing a couple of tracks to overcome the 12 track limit? (Is the only extr mic Ive got) Thanks . Great video… I’ll admit, I get caught up with the gear acquisition syndrome a lot. To achieve this level of result requires an understanding of Sound. Graham…was the octaver on the lead guitar from the Rack 11? Are you asking yourself, can you record stereo with one microphone? I discovered your website I thinks 4 months ago and I never been that confident from my entire life. It arrived in my inbox today after subscribing to your site. Thanks for the great vid. Adjust the gain level and distance between the vocalist and the microphone until you get the sound you are looking for, just like we did with the guitar. Are you going to release this version of the song for download? I suspect you are a pretty good mixer! A good place to start would be the Neumann TLM 103, a fixed pattern cardioid beauty, with a capsule design based on the brand’s best-known mic – the U 87. Yes… and no. I’m definitely trying this with my band in a couple weeks. While it’s possible to track with a dynamic stage microphone, you will get the best results with a quality large-diaphragm condenser microphone or LDC. The first four apply to the recording floor, and the last three to the control room. And the final product: We get too bogged down the “better” we get. Your an inspiration, Kudos, very inspiring video, well done. I’m going to try this but I’m curious if my d19 would get the job done. I’m just curious what your thoughts are … Thanks again.. Do you need two microphones to record in stereo? Wow that is what I’m looking for, because I dont have a lot of money but I want make it with just some bucks, thanks! The reality is you only need one good microphone to record an entire band. This video is fantastic and serves to remind us there’s so much power (and human emotion) conveyed in simplicity. Read more at the Reverb Tank: https://goo.gl/ZgacFVMic'ing up a drum kit can be a challenge. Thinking about possibly getting a 57 and some monitors, but not sure how much I actually need the upgrade. Also it’s on a Mac Mini 4GB of ram. Normally the only convenient place for the overheads is against the wall above the drummer, so about 5 feet diagonally up & out from his shoulders. I’m pretty sure he doubled it, that’s how he normally gets that kind of effect. The Cowboy Junkies set up in a church. Another interesting option to try is a single mic for the vocals and a mid-side pair for the guitar. The best type of microphone is an omnidirectional pattern because of its ability to pickup sound waves from all directions. DO NOT Create a Song Without This Guide... DO NOT Create Another Song Until You Read This Guide.. http://homerecording.com/bbs/equipment-forums/drums-percussion/mono-micing-kit-works-well-sort-357734/, http://therecordingrevolution.com/2011/11/23/recording-my-band-with-only-8-inputs-video/, http://therecordingrevolution.com/2013/05/08/recording-great-vocals-in-two-steps-video/, http://therecordingrevolution.com/2013/05/29/mixing-in-pro-tools-express-video/, The Over-The-Shoulder Drum Mic Technique » The Recording Revolution, Mixing In Pro Tools Express [Video] » The Recording Revolution, 23 Simple Principles to Simplify Home Recording - Start Home Recording, Stop Looking For Complex Solutions In The Studio » The Recording Revolution, Limitations Shmimitations | Home Studio Corner, Less is More (Microphones) | Transient Mobile, The Studio Detox: Pick Only Two Microphones | The Recording Revolution, The Sobering Truth About What We Need Versus What We Buy For The Home Studio | The Recording Revolution, 3 Reasons To Invest In Your Studio Slowly | The Recording Revolution. You are incredible guy! record band with two microphones For example if the distance from the microphone to the band is 6 feet, then the microphones would be spaced at 6 feet x 3 or 18 feet from each other. Thanks. If so, what made you choose the SS over a standard long scale bass? . I’d like to record everybody separately, but the drummer needs a good reference and more than the M box’s 4 channels. Adjust the microphone (ONE) so that it’s about mouth level or slightly higher. With a One Mic Technique, the band should not underestimate the importance of the role played by the room especially when recording. Having a great song like this one to record made it that much better. Thanks for the heads up! Practising with your band is more fruitful if you are able to record everything with a good quality. And also, how would you go about doing this from scratch? I just have a few questions : I have a ten piece double bass kit . The problem is that when the guitarist plays along with him it also bleeds over to his tracks (used to be two overhead Sure SM57’s and a Sure 52 kick mic, but we are rearranging to as many drum mics that can be fitted to each drum head). Price should never be an indication of quality. Loved it, but you kinda need a balanced sounding drummer. Thom sings lead on this song, so we recorded his vocal first. Hi Allan… I did just that with my band for an EP. Drummers may want to switch to brushes. Instead of adjusting the volume of each individual microphone for every instrument and voice, John physically moved the band’s amps, drums and voices around the one microphone to produce a balanced stereo image with depth and detail one would expect to hear in a conventional multi-track recording. What stinks is I am confident in my gear: Pro Tools Le.8, decent laptop, mic stand, acoustic guitar, electric guitar, MIDI Keyboard, and a CAD d19 Snare mic. Yep. I would assume Pro Tools Express would let you bounce tracks down if you somehow needed more? If your instruments don’t sound very good, no amount of gear or recording skill will help that. So far, what I have has done the job for me. Means a lot. Sometimes one inch makes a huge difference. Very cool though, great work Graham. Cheers! I was originally going to record the audio from the Venues desk out to my laptop but that is now not possible. Too Good! Great job Graham! Always learning from him. Really fantastic and very encouraging. Thanks again for the time you put into this site. I kinda like it better than the album version! This may not be new to you but this is how I (on a limited space & money budget) record & produce finished tracks for bands with just one mic. Basically – it was old beat up (sometimes hand made) stuff. But I’m actually the guitarist and very new to this recording thing lol. hey Graham, i just saw this video and i wonder what’s your configuration? Is there anything that you would upgrade ? I have a 4 piece Audio Technica drum kit set, the Sure SM57/52 drum kit set, a Sterling Audio ST66 condenser mic with preamp for phantom power, one set of Sennheiser 280 pro, 64 ohm headphones, and the drums have two snares of diff. Avoid rooms with a lot of glass, and keep your single mic far away from any large windows. Did you record a harmony track over it or is it a effect…? Thanks! Clearly you are deleting comments that are calling you out on how lame this Chirst pushing bullshit no edge song is right? Technology often does us the favor of reducing the price of things we need. Reading all of your articles and watching your videos has helped me to become so much more confident in myself when it comes to recording. Fantastic job on your “one mic” recording. A Stereo Microphone which typically uses 2 mikes in each capsule which will record in stereo either mono sound or in another frequency, time, or distance. It doesn’t matter where you go, but the room needs to sound good and be devoid of large outside noises like creaking radiators or someone mowing the lawn right outside the window. One of these is that (even with the modern pop-style production mentioned above) you lose out on the benefits of the classic approach of first finishing the composition, arrangement and instrumentation of a song, then having a band or artists rehearse the piece, and then recording them playing it together, in one … Nice vox Graham . Graham, what a great demonstration. The fourth column lists … . How to Record Acoustic Guitar. Couldn’t really hear or feel any noticeable latency. Love using Ribbons. At least we have not yet heard a one microphone recording of a whole band, that we found completely satisfying. Using a large room is preferred for this sort of project, like a lecture hall or auditorium. 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