muhlenberg college film studies

Open to all students at all levels. In addition to studying a canon of plays and films, this course will also engage (and contrast) textual, performance-based, and image-based methodologies, and students will be asked to demonstrate proficiency in all three theoretical approaches. To declare and be retained as a film studies major, a student must maintain a 2.00 grade point average based on all the courses required for the major. Muhlenberg has an active film culture both on and off-campus. Applying theoretical and practical frameworks, we will consider pacing, rhythm, sequencing, continuity, sound, color and other elements in an editor's arsenal, to explore the many ways that editing contributes to story and concept development. Special attention will be paid throughout to contemporary developments in film style, evolving cultures of film taste and reception, and film art as cultural expression. Spearheaded by a group of young directors who also wrote their own screenplays (Truffaut, Godard, Malle, Chabrol, Resnais, among others), this movement gave rise to "Le cinema d’auteur" as an innovative and influential way to produce films. Tempelhof-Schöneberg (Rights reserved) Issue 2018 (Rights reserved) Prerequisite(s):COM 251 Introduction to Moviemaking recommended. Dining, Health, Residential, and Disability Services work in tandem to meet the needs of our students who require accommodations. ), Kelly Reichardt (Wendy & Lucy), and Richard Linklater (Waking Life). Attendance at weekly screenings is required.Prerequisite(s): FLM 201 - Film History I: 1895-1950 or permission of the instructor.Meets general academic requirement HU (and W when offered as 202). Attendance at weekly screenings is required.Meets general academic requirement DE. The student-run Muhlenberg Film Association screens two films a semester for the campus community, often outdoors on the College Green. Students will prepare character profiles, treatments, and at least one screenplay. Writers will comment on each other’s work in a workshop setting. This course examines the world’s largest film industry with the aim of understanding the place of popular cinema outside of the Hollywood model. The Film Studies Department at Muhlenberg College on Academia.edu Plays and films on which we will focus in the next several years include Heiner Muller's "Hamletmachine", Julie Taynor's "Titus", Michael Almereyda's "Hamlet", and Kristian Levring's "The King is Alive".Prerequisite(s): THR 100 Theatre & Society: An Historical Introduction or any 200 level ENG course or permission of instructor.Meets general academic requirement W when offered as 322. Javascript is currently not supported, or is disabled by this browser. We will focus on generating compelling subjects, scripting and storyboarding, casting and location scouting, and all of the work that goes into creating engaging images in front of a camera. FLM 201 Film History I: 1895-1945 An exploration of the international history of film from its invention through the silent era, the rise of Hollywood, and the development of sound to the end of World War II. COM 467 CUE: Advanced Video ProductionStudents explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. Across all areas of study, Muhlenberg College awarded 734 undergraduate degrees in 2018 - 2019 . In addition,no more than 2 courses from any single department or major (other than FLM) can count toward the film … No more than 4 courses from any single department or major (other than FLM) can count toward the film major. FLM 250 Contemporary World Cinema This course offers a selective survey of some of the most cutting-edge films produced around the world in the last 10-20 years, including those that offer sustained insight into specific national cultures, and those that are more global in orientation, and address the worldwide mixing and mingling of people and cultures. COM 367 Studio Workshop in Television & Film Beginning with a survey of the promise and demands, historical, economic, and political circumstances surrounding community television, this course broadens students' exposure to television formats beyond mainstream commercial media. Students will learn how to work with cameras, audio-recording equipment, and post-production facilities.Meets general academic requirement AR. Film Studies; Allentown, United States; Advertisement. FLM 202, 204 Film History II: 1950-Present An exploration of the international history of film from the end of the War through important European developments (the French New Wave, Italian Neo-Realism, and New German Cinema) and dramatic changes in production and viewing in the United States (through the Sixties and Seventies) to recent emergence of national and regional cinemas in countries all over the world. Time should permit us to screen some of these films in their entirety during the class meetings. As a theoretical lens, students will consider the cinematic medium as a vehicle for virtual travel and read accounts of film spectatorship that consider particular travel experiences. Meets general academic requirement HU (and W when offered as 317). Muhlenberg College aims to develop independent critical thinkers who are intellectually agile, characterized by a zest for reasoned and civil debate, committed to understanding the diversity of the human experience, able to express ideas with clarity and grace, committed to lifelong learning, equipped with ethical and civic values, and prepared for lives of leadership and service. Special Collections & Archives; Muhlenberg College Digital Repository; Student Honors Theses; Library Home; Library Technology; Film Screenings; Film Screenings Class Movie Screenings: B-02. FLM 389 Writing The TV Spec ScriptWriters seeking work in the television industry generally complete a "spec script," a complete script for an episode of a program that already exists. Multimedia and interdisciplinary projects involving theatre, art, dance, and music will be welcome.  Muhlenberg College 2400 Chew St.  Allentown, PA 18104   484-664-3100. Taught in English. Films are likely to include Billy Liar, The Loneliness of the Long Distance Runner, Alfie, Tom Jones, The Servant, The Knack and How To Get It, and A Hard Day's Night. Students will explore the art of editing through hands-on exercises using Adobe Premiere Pro. A program for Media & Communication and Film Studies majors in Dublin, Ireland, and a Dance program in Arezzo, Italy, are both offered during the spring semester. Prerequisite(s): ENG 226 - Introduction to Screenwriting or permission of instructor. From other films we will only have time to watch excerpts, and you will probably be required to watch two or three films outside of class—more details regarding out-of-class screenings will follow. FLM 332 Film Cultures of North Africa & the Middle East  This course will focus on the development of national cinematic traditions in Egypt, on the struggle for cultural self-definition in the former French colonies of Algeria and Tunisia, on cinematic representations of post-revolutionary Iran, and on how Arab and Israeli filmmakers address the so-called “question” of Palestine. About. Reads . Attendance at weekly screenings is required. Toward that goal, the course engages students in the production of a regular series of documentary, narrative, and experimental television and film projects that will be realized during a multi-week intensive studio experience. var d = new Date();document.write( d.getFullYear()); Muhlenberg College. As the course proceeds chronologically, it briefly demonstrates images of African Americans in mainstream Hollywood films, but focuses primarily on how filmmakers of African descent have sought to respond to mainstream representations and create their own narratives and styles. Analytical viewing assignments from each of the genres explored will be required. We will focus on Reservoir Dogs, Pulp Fiction, Jackie Brown, the two-part Kill Bill, Inglourious Basterds, and Django Unchained as well as some of the many disparate films that influenced him. FLM 387 Art of Video EditingWhile editing was historically seen as merely a nuts-and-bolts technical pursuit, it has increasingly proven indispensable to the artistic process. Short Term Study Abroad Muhlenberg Integrated Learning Abroad Sie wird erst wieder 1n 2022 veranstaltet. Video journalists in this course will partner with writers in Intro to Long-Form Journalism to research and produce multi-media stories about issues pertinent in the Lehigh Valley. The production component of the curriculum gives every student the opportunity for hands-on experience in filmmaking and allows motivated students to pursue additional work in screenwriting, acting and directing, and advanced video production. Muhlenberg College. The Paul McHale Collection This collection documents the congressional work of Paul McHale (1950-), U.S. Representative for Pennsylvania's 15th district from 1993-1998. Faculty regularly arrange special screenings, often accompanied by visiting filmmakers. Please enable Javascript for full functionality. FLM 336 African American Cinema This course surveys African American filmmaking from the silent ear to the present, along with a few films that represent the broader African Diaspora. Created during the 1940s and 50s, many by Jewish émigrés from Central Europe, film noir is usually considered a combination of German Expressionist cinematic style and the American hard-boiled detective story. Focusing on production tools and skills, class workshops and outside exercises that facilitate becoming comfortable with camera and editing equipment and with the overall production process. 4.65. Film has emerged in the last 100 years as a global phenomenon with broad social, cultural, and commercial implications. Attendance at weekly film screenings is requiredMeets general academic requirement DE and HU. Projects 1. COM 351 Video Production Refines an understanding of video/television concepts and operations through the application of advanced production techniques. Prerequisite: THR 251 Acting II: Scene Study. The course will also include extensive practice in editing and re-writing, and include weekend trips to local cinemas to review films on short deadlines. We will spend a considerable amount of time thinking about where ideas come from, how we can develop ideas, and the role of creative collaboration in television writing. These films contain scenes of very graphic violence and vulgar language. Publications 12. It was named for Henry Melchior Muhlenberg, who established the German Lutheran faith in the United States in the 18th century. Attendance at weekly screenings is required.Meets general academic requirement DE. Attendance at weekly screenings required.Meets general academic requirement HU. GRM 316, 317 German Cinema A survey of German films from The Cabinet of Dr. Caligari to Contemporary works with special emphasis on the Golden Age of Weimar cinema and the so-called New German Cinema (Fassbinder, Herzog, Wenders, Sanders-Brahms and less well known directors.) While the filmmakers under consideration vary, the course deals with similar questions each time: the validity of the auteur theory as a way of understanding film, the relationships between filmmakers and their art, and the nature of our ideas about art and artistic production. Pre-requisite: COM 251 Intro to Moviemaking, or permission of instructor. Genres that may be taught include commercials, daytime, primetime (sitcom and drama), and film. Topics may include auteur studies, genre or form studies, national or regional film studies, film theory, or explorations of film and popular culture. The challenge is to tell a new story using existing characters without changing any of the fundamentals of the show. © Selected French New Wave and Asian films, The Killing, Coffy, The White Hell of Piz Palu, and The Good, the Bad, and the Ugly, as well as others will also be examined. 358. Program Director:  Dr. Amy Corbin, Associate Professor of Media & Communication and Film Studies Attendance at weekly screenings is required. Open to students at all levels. Das College befindet sich in Allentown, Pennsylvania und beschäftigt fast 200 Vollzeit-Kräfte. Students will create an online archive of all finished work, and learn about ways to develop and market their own critical voice. Traces the history of film and video art from the early 1920s to the present focusing on its structural evolution, thematic shifts, coexistence with commercial cinema, and its impact on contemporary media.Meets general academic requirement HU. Trexler Library has many online resources available through the library website. FLM 227 Melodrama “Melodrama” does not just mean exaggerated emotion; it is a form of popular storytelling that puts its characters in dramatic situations in which the stakes are nothing less than the victory of good over evil. Approximately 85% of faculty have a Ph.D or other terminal degree in their respective fields. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. We will also consider how these topics are illus trated throughmelodrama’s aesthetics, such as music, dramatic editing, and symbolic use of setting. Majors & Fields of Study at Muhlenberg College. The college was founded as a seminary in 1848 by the Reverend Samuel K Brobst. Attendance at weekly screenings is required.Meets general academic requirement DE and HU. Filmmakers and films we study will be drawn from a list that includes John Cassavetes (Shadows), Martin Scorsese (Mean Streets), Terence Malick (Badlands), Charles Burnett (Killer of Sheep), Jim Jarmusch (Stranger than Paradise), Joyce Chopra (Smooth Talk), John Sayles (Lianna), Whit Stillman (Last Days of Disco), Steven Soderbergh (sex, lies & videotape), Abel Ferrara (Bad Lieutenant ), David Lynch (Blue Velvet), Sadie Benning (It Wasn’t Love), Gus van Sant (My Own Private Idaho), Julian Schnabel (Basquiat), Kimberley Peirce (Boys Don’t Cry), Larry Clarke (Kids), Hal Hartley (Trust), Michael Cuesta (L.I.E. Attendance at weekly screenings is required.Meets general academic requirement HU. Like Tarantino, we will watch films closely and analyze their themes and structures. This course will focus on the prominence of melodrama in narrative film, particularly popular American film, to reveal the flexibility of what some scholars argue is more than a genre, but is actually one of the dominant modes of filmmaking from its inception. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & Institute on the other. Numerous theoretical approaches will be used to study the rise and fall of the Western’s popularity, its role in shaping popular myths about the United States, and its representation of masculine identity. FLM 229 Travel and Cultural Encounters in Film This course looks at narrative and experimental films that thematize the act of travel as a trigger for cultural encounters, which often result in conflicts, power differentials, and individual senses of displacement or disorientation. The major in Film Studies requires 9 courses, 4 of which must be at the 300 or 400 level. We will begin by examining the cultural and social influences leading up to the "annus mirabilis" of 1956. Contact. In addition, Muhlenberg has established exchange opportunities in Europe and in Japan. Thus, film is a vital subject of intellectual inquiry that is useful to a wide range of students, not merely as vocational training for media professionals. Attendance at weekly screenings is required.Prerequisite(s): FLM 202, 204 Film History II: 1950-Present and senior film studies major or permission of the instructor.Meets general academic requirement W. FLM 970 Film Studies Independent Study/Research Independent study may be enrolled in any academic department with approval of the advisor and should provide an opportunity to undertake an in-depth examination of some facet of film studies literature and research findings. Provides hands-on experience beginning with the development of a professional project, treatment, script, and storyboard. If you have trouble accessing resources, see the Off-Campus Access page for help. Current institution. Gefällt 12.426 Mal. Film studies is also designed to complement other major and minor programs that students might choose to pursue in art, media and communication, English, music, and theatre arts, among others. THR 355 On-Camera Acting This upper-level acting course is designed to introduce students to the skills required to work effectively on camera. Der amtierende Rektor war André de Gouveia. None of the awards was for a degree taken exclusively online. COM 251 Introduction to Moviemaking Introduces basic concepts of time-based visual media with an emphasis on the perception and experience of moving images, kinesics, and the structure and aesthetics of cinematic language. If you feel uncomfortable watching and discussing these films, then you should choose another course. Assistant Professor:  Bazaz. We will then look the ways these plays helped to revitalize the British cinema of the postwar era, creating a cinematic scene in which the free cinema and "kitchen sink" films of the 1950s gave way to the bold, taboo-breaking movies of the 1960s. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. Who We Are. Muhlenberg College offers bachelor's degrees with an academic focus on a rounded Liberal Arts education as well as pre-professional studies. Using material drawn from the professional world, students will work in a variety of on-camera genres. Writers will comment on each other’s work in a workshop setting. Directors whose work will be screened and discussed will likely include Mathieu Kassovitz (La Haine), Michael Haneke (Caché), Claire Denis (I Can’t Sleep), Wim Wenders (Lisbon Story), Fatih Akin (Edge of Heaven), and Lars von Trier (Zentropa), among others. Meets general academic requirement HU and DE. FLM 348 Cinema’s Altered States From the avant-garde to Hollywood blockbusters like The Matrix and Inception, the cinema provides a fertile ground for playing at the edge of narrative, and for testing credibility by constructing alternate logic. Faculty Studies; Information Literacy & Instructional Support; Library Committee; Library Liaisons; Open Access ; Place an Item on Reserve; Suggest a Purchase; Special Collections. Film Studies. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & … Muhlenburg College. Maps & Directions; Accessibility; Library; Title IX; Conference & Event Services; A-Z Index; Social  Facebook  Instagram  Twitter  YouTube  LinkedIn © 2019 Muhlenberg College. The film studies program at Muhlenberg offers a rigorous interdisciplinary experience that helps students understand both the technical and expressive components of the cinematic medium and gain practical experience in film production within the framework of a liberal arts education. The red doors on campus are a Lutheran sign for welcome! Muhlenberg College is a private liberal arts college affiliated to the Evangelical Lutheran Church. We will then trace the emergence of John Osborne and other "Angry Young Men," and the development of a drama overtly engaged with issues of class, gender, and sexuality. Screenings will include Happy Together, by acclaimed Chinese filmmaker Wong Kar-Wai, Fire, a lesbian love story by the Indian-Canadian director Deepa Mehta, French filmmaker Céline Sciamma’s coming-of-age tale featuring a gender non-conforming protagonist, Tomboy, and many more. , then you should choose another course digital media while studying the problems of constructing narrative and Documentary within. Be taught include commercials, daytime, primetime ( sitcom and drama ) and. Weekly film screenings is required.Meets general academic requirement AR market their own critical.. Addition, Muhlenberg College ist ein US-amerikanisches Privat-College, das 1848 gegründet wurde many online resources be... 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